Posts Tagged ‘roB_meL

04
Jul
11

roB_meL :: architectural photography with an accent on details


Selection of photos from roB_meL


_FaTal AttractioN

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FaTal AttractioN


__E- ║__║__║__║

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__E- ║__║__║__║


__The X Factor

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The X Factor


STWY. to N...Una escalera que lleva a en ningún lugar. Eso es toda la vida es todo acerca de...

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STWY. to N…Una escalera que lleva a en ningún lugar. Eso es toda la vida es todo acerca de…


__ Blue diamonds!

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Blue diamonds


_bLUE SpACE - Z

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bLUE SpACE – Z


__Multiple jaws

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Multiple jaws


__Piano keys

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Piano keys


– Hello, Rob. How would you describe this set of images?
– They all reflect some geometry, however austere – at times – and represent more than just a style in the ever-accelerating demand for new-looking architectural forms in a continuum. In search of the modernist idealism, they clearly define my expression of the definitive forms of Australian architecture as well as a search for other paradigms. All the photographs have a gridded, geometrical vocabulary capable of articulated varieties of types of expression.


– As a photographer, what do you find interesting about urban environments and architecture? What attracts your visual attention?
– The great expressiveness of the culmination of post modernism and deconstructivism has contributed immensely in my interests in photography. In an attempt to capture the formal vocabulary of the aesthetics between space and nature, my passion for geometric purity and perfection has led me to investigate this sort of referential rationalism.

There is also this element of geometry that disguise weight and highlight mass, materiality and the sensuality of purely material qualities. This way of looking at metaphors and controversy is what has a particular appeal to me.

It is through photography that I choose to express my view, even if it sometimes seems idyllic; the same way that every generation must build its own cities with its own ideas and styles.

As an artist, I find beauty everywhere in the urban landscape whose startling new aspiring forms have much to do with the spiritualistic implicit in the illusory forms of human achievement and engineering. There are also the other forms of beauty and harmony. Immersed in the Australian urban tissue are the tremendous amount of spaces that acquire a horizontal symmetry quite different from the gravitational vertical, and that are able to express better (or more sensually) in forms and by this intensification, its referential presence through underlined negation.

Geometry has always been the underpinning of my photography.


– Which other photographic styles do you like besides architectural and urban photography?
– Although I am very eclectic about the stylistic approaches in photographic rendering, I also favour the surrealists, those who have the talent to transform a landscape into a visionary world. Also those who manage to capture the emotion of the moment that they retransmit intact to perpetuate the ephemeral.


– What motivates you to be busy with photography, what is your goal as a photographer?
– Photography has always held, for me, an interest, but I have only started this seriously about 18 months ago. Having deeply been influenced during my studies recently, in Comparative Law at University, by the works of Jacques Derrida and his controversial approach to deconstruction, I found my niche in the uncensored, marginal and complete disregard for expectations in photography.

I want to capture the linear, the purely verbal formulae of structural forms. It is this constant evolution in architecture and these vital moments of crisis in its cyclic repletion that requires a constant revision of the discipline’s fundamental concepts. In search of its sobriety and a total redirection of ornamentation, I am with passion, trying to capture its very essence in its minimal aesthetic meanings. We are fortunate in Australia, to have several groups of “avant-gardiste” architects that are always pushing the limits of deconstruction. In short my aim is to capture the linear form that epitomises the elements in which the use of pure geometrical forms offer an expressiveness and a unitary whole. And this is not always easy, as one is sometimes restricted in the amount of space and field of vision that normally would be ideal. I like to expand my personal experience with futuristic forms in a quest that is more protean and less systematic.


– Do you have a ‘dream location’ where you would like to take photos? Which city would you like to visit for a photo session?
– I have a lot of cities that I would like to photograph. Firstly, Barcelona and Valencia, because of Gaudi and also of Santiago Calatrava’s immense contribution to sculptural architecture. And of course Paris, New York, Munich…. to name a few. The list goes on….. All cities have some tremendous potential in architectural and infinite differences.

On my list are also the works of Richard Meier, Thorn Mayne, Charles Moore, Helmut Jahn, Charles Gwathmey, Frankk Gehry, Mies Van deer Rohe.


– What is your favorite camera?
– Normally, I work with both a NikonD3100 and a Panasonic GH1K. But of these two, my favourite is the Panasonic for its versatility. It allows me the freedom of expression. Although I use several lenses, I tend to favour the 14-42mm and a 14.-150 mm which, in my view are more accommodating.




– Did you publish any photo books and where do you expose your works on internet?
– Some of my photographs have been selected to be published in “Shadows” magazine, a publisher based in the US, to be released in February 2012. Also, I am on Red Bubble, but unfortunately due to lack of time, I have been unable to maintain it at a steady rate. Apart from those featured on Flickr, I am planning to have an exhibit of my work some time next year. My goal is to have a book published on Architecture and the non stereo-type plural approaches of looking at this fascinating and complex science in a more or less philosophical interpretation or nihilist disseminative re-interpretation.


– Thank you, Rob. I wish you a great success with your photographic work.